Where the Flow Ends
Year: 2024
Location: London
Client: Mass Collective
Design: HereWeAre Studio.
Fabrication: HereWeAre Studio.
Status: Completed
We were delighted to see this collaboration culminate in the opening of Mass Collective’s Where The Flow Ends exhibition at 215 Mare Street, documenting the relationship between the Severn Estuary and the human influences which shape it’s aquatic environment.
Simple push-fit joints mean that no tools are required for installation, and boards can be easily dismounted and rearranged to test layouts and composition, while low-profile barrel magnets inserted into the backing board allow the printed matter to take centre stage.
Our brief was to design, fabricate and install a set of modular, adaptable and transportable exhibition boards for our friends over at Mass Collective. The resulting kit of parts is configured as a lightweight A-frame system which can be assembled or disassembled in 30 minutes.
Wheel of Futures
Year: 2023
Location: London
Event: Open House
Design: HereWeAre Studio.
Fabrication: HereWeAre Studio.
Status: Completed
How can we work together to imagine a Circular London? Revolutions! And lots of them… Spin the Wheel of Futures to have your say in how the capital should respond to the climate crisis. This interactive participation game offers a catalyst for discussion; encouraging an exchange of ideas on how we can reduce the environmental impact of our city.
RE:stacks
Year: 2026
Location: London
Design: HereWeAre Studio.
Status: Concept Design
Antepavilion 2026 Entry.
As makers, we are both the curators and custodians of the materials resource through which form emerges. We seek to abolish the concept of the waste stream through a future-fi rst approach, assuming the role of material librarians, performing only those ritual actions necessary to render 5000 linear metres of Red Louro cladding more readily knowable, usable, transportable, resilient, and suggestive to the future designer.
As makers, we recognise that the material must co-author the work; which limits the tools available to the designer and heralds a return to craft through low-tech manual processes. Evoking the earnest aesthetic of weaving and tapestry, simple meditations in rhythm, colour and count allow the material to express its inherent character – a sum of its parts; differently.
